“The irresistible songs from the Thirties could not be more charmingly or more stylishly performed than by the best of the modern crooners, the handsome Gregory Moore. His jazzy two-beat heart is on his sleeve and the faultless playing of the Cosmopolitan Orchestra is a joy to hear. It's hard to decide between swooning or dancing.”
— Steve Ross, Cabaret/Concert Artist

“Gregory Moore and his wonderful orchestra do the impossible: They create the authentic sound and great fun of a 1930s dance orchestra without being arch and overly camp. They and their star vocalist/band leader, Gregory Moore, manage to bring back the luxe sounds of this seemingly lost era in all its sepia-toned glory.”
— Charles Busch, Actor/Playwright

“An evening with Gregory Moore and his Cosmopolitan Orchestra instantly rolls back the clock to one of the greatest eras of American music…the 1930s. Gregory’s vocals are wonderfully true to the style…I could listen to him all night!”
— Miss Julie Wilson, Legendary Singer

“Gregory Moore and his Cosmopolitan Orchestra create the perfect early-30s time-warp we’ve all been waiting for. Moore’s mellow baritone floats over “Boulevard of Broken Dreams” and his musicians possess a dead-on sense of period musical style. Close your eyes and you just might think you’re gliding across the floor of The Rainbow Room in 1934.”
— Eric Myers, author of Screen Deco and Uncle Mame: The Life of Patrick Dennis

"Gregory Moore more than recreates the sound and look of the 1930s in his theatrical tribute to the crooner's art. He inhabits and resurrects the spirit of the era with a sense of madcap daring and seductive importuning, his golden voice interpreting these timeless standards in a time-machine setting, celebrating classic milestones of popular song and artistry."
— Lenny Kaye, guitarist, composer, author and original member of the Patti Smith Group

"Gregory Moore gives a whole new meaning to the word suave…the band’s beat was so infectious that it caused the audience to turn a two-foot, uncarpeted walkway into an exuberant, impromptu dance floor"
— Doric Wilson, playwright